More world cup

I'll admit I'm not that into soccer myself,
but how can you not be impressed by the enthusiasm of this pair of Paraguayans?
Labels: photography, pretty girls, sports
Now in Bloggo-Scope®

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Lange's best-known picture is titled "Migrant Mother". The woman in the photo is Florence Owens Thompson, but Lange apparently never knew her name. The original photo had Florence's thumb and index finger on the tent pole, and was retouched in an attempt to hide Florence's thumb. Her index finger was left untouched .
In 1960, Lange spoke about her experience taking the photograph:
- I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed. She had just sold the tires from her car to buy food. There she sat in that lean-to tent with her children huddled around her, and seemed to know that my pictures might help her, and so she helped me. There was a sort of equality about it.
According to Thompson's son, Lange got some details of this story wrong, but the impact of the picture was based on the image showing the strength and need of migrant workers.
In 1941, Lange was awarded a Guggenheim Fellowship for excellence in photography. After the attack on Pearl Harbor, she gave up the prestigious award to record the forced evacuation of Japanese-Americans (Nisei) to relocation camps in the American West, on assignment for the War Relocation Authority (WRA). She covered the rounding up of Japanese Americans, their evacuation into temporary assembly centers, and Manzanar, the first of the permanent internment camps. To many observers, her photograph of Japanese-American children pledging allegiance to the flag shortly before they were sent to internment camps is a haunting reminder of this policy of detaining people without charging them with any crime or affording them any appeal.
Her images were so obviously critical that the Army impounded them. Today her photographs of the internment are available in the National Archives on the website of the Still Photographs Division, and at the Bancroft Library of the University of California, Berkeley.
Children at the Weill public school in San Francisco pledge allegiance to the American flag in April 1942, prior to the internment of Japanese Americans.

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"I have opponents in this race who do not want to change the Constitution," Huckabee told a Michigan audience on Monday. "But I believe it's a lot easier to change the Constitution than it would be to change the word of the living god. And that's what we need to do -- to amend the Constitution so it's in God's standards rather than try to change God's standards so it lines up with some contemporary view."
Now, everybody can look back and say, ‘Oh, well, we didn’t find the[WMD] weapons.’ It doesn’t mean they weren’t there. Just because you didn’t find every Easter egg didn’t mean that it wasn’t planted.Of course his use of the word "planted" suggests a tin ear as well as a straw brain, conjuring up as it does images of doctored evidence. Anyway, you'd imagine such aberrant thinking would disqualify a candidate in the eyes of his supporters, at least with(ahem!) most constituencies...
Labels: Congress, Pan-Arabism, photography, politics, US, voting, women

John Rogers:
let's talk image. When I first started out on the road, I was a skinny guy with a big nose, a Boston accent and a Physics degree telling jokes in bars out West. I was hitting a wall of resistance in a lot of rooms. One night in Rawlins, Wyoming, the headliner -- a sweet road comic named "Boats" Johnson -- took me aside.
"You're a good joke writer. I mean, damn, there's some smart stuff in there."
"Thanks. But, uh..."
"They don't like you much." Boats handed me a beer. "Second show. Longneck. Always a longneck. Bring it on stage. Sip from it every now and then."
"I don't really drink on stage --"
"Fine. Fill it with water. Don't bring attention to it, just sip from it."
I shrugged. "Anything else?"
"Yeah. Learn to say 'ain't'. Don't change the jokes. Just learn to say 'ain't' every now and then."
The shows went, much, much better after that. I told the same gun control jokes, the same pro-gay marriage bits, the same making-fun of the culture wars jokes. But now I was killing.
There are two lessons to be taken from "Learn to say 'ain't'." First, the fundamental dynamic in all crowd interaction is us vs. them. Period. It's sad. Oh well. Get over it and win.
Now, the fine line here is that, the audience also always knows when you're being dishonest. That's worth hitting again. When you are on stage, the audience's collective mind can tell when you're not being yourself. And even more importantly, they can tell when you're lying to be one of "us". (Like Kerry hunting, or Dukakis in the tank). Changing yourself to fit the audience would be the wrong lesson to take from "Learn to say 'ain't.'" No, the lesson Boats was teaching me was that there's no problem with relaxing a bit and showing that you're not one of "them." He was teaching me that connection is a half-way game -- just extend out a little, and the audience will come the rest of the way. They will extend the boundary of "us" if you advance toward it.
[...]
Kerry was so, so far outside of "us" that, frankly it was a testimony to how badly Bush has screwed up that he even got THAT close.
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